Calligraphy Northwest: Dynamic Duo

Julian Waters & Carl Rohrs, June 2012
Last post I mentioned that Reed College's Eliot Hall was where Fr. Edward Catich cut the lintel stones, and Lloyd Reynolds taught his calligraphy classes back in the day.
Eliot Hall, Reed College, Portland OR
So there, in the very same lecture hall---well, half of it, the other half is now the college president's office--two present-day calligraphic luminaries held forth with a course titled "20th Century Inspirations and 21st Century Techniques" during the week of Calligraphy Northwest in June.  Julian Waters and Carl Rohrs started out by giving us what clearly had been a labor of love for each of them:  a total of 248 pages, bound in two volumes, of their own work alongside that of their "inspirateurs", some familiar, some obscure (at least to me). There is enough material here for a lifetime of study!  If my house ever catches fire, I know what I'll be grabbing on the way out the door!
Workbooks by Carl Rohrs (top) &  Julian Waters (bottom) for CNW
Most of the time I was so busy listening, observing, absorbing and experimenting that I took very few photos.  To be honest, a lot of it is just now sinking in.
Julian demos while Carl comments
Contrast!

It's all in the details!

This wasn't a product-oriented class, but a rather stream-of-consciousness romp through big ideas and tiny details--which seem now either too vast or too small to write about here.  In what they had predicted would be a "somewhat improvisatory" presentation, it was fascinating to listen to Carl & Julian's banter, filled with seriously encyclopedic knowledge of fonts and all things calligraphic. For example, did you know that Rudolf Koch had designed minuscules for his1920s Neuland typeface, but they were abandoned?  Here's my attempt at approximation:


We worked with broad nib, automatic pen, folded nib, ruling pen, flat brush and pointed brush. Here we were trying to eliminate as much negative space as possible in our blackletter:


That afternoon we switched to pointed brush and my head almost exploded!  I won't trouble you with illustrations of my feeble attempts.

At the end of the week there was a "show and share" in the dining hall.  What a feast!







I apologize for the lack of attribution--way too many to keep track of.

It was announced that in addition to the 2013 conference at Colorado College next summer, the 2015 conference will take place in the Bay Area!  Save the dates!

Brush Lettering

When I'm ready for a break from dip pens and ink, I find that brush pens are fun, easy, and eminently portable. I used to use the old Zig markers, though they don't seem to be around anymore...but the Tombows seem to stay juicy longer anyway, and have a nice fine tip on the other end that's good for outlining. I've used them for all kinds of signage. This one was an idea for a Western-themed fundraiser logo.